Morgan Renfro

  Roadkill Asphalt, Acrylic paint, rock 2” x 3.25” x 1” The sculpture reflects the memory of eating a roadkill squirrel as a child. When I was 12, we skinned and ate a squirrel my sister found on the road in front of our house. Each material represents a specific aspect of the memory. The rock represents the squirrel, the red spray paint represents the time of it being dead and the non-painted aspect is the remembrance of it being alive. The asphalt on the tip of the red paint represents the road on which the animal was found and died. The red color creates a focal point. Being it is shiny, creates a break between the matte materials used on either side. Relics From Ancient Stupa http://www.piprahwa.com/rubin-museum Louise Bourgeois http://www.artlid.com/ Marco Tirelli  https://socks-studio.com/2014/12/08/i-grew-up-here-but-i-never-felt-entirely-part-of-it-marco-tirellis-tiny-sculptures/

  Rolling Hills Wood and polyurethane  27” x 18” x 7.5” The sculpture explores the aspect of what appears to the eye. By looking at the sculpture from straight on, you only see the wood facing you and they appear to be spaced out on a wooden board. Although, as you move your eye below the sculpture, it appears to all overlap each other and become an object that reminds us of hills or a forest. I think the content of the sculpture is significant because it is a piece that is unlike those that are normally hung on walls where you don't have to move your position depending on how you would like to see the piece of art.  Adriatic Queen Hannah McGowan https://foundations3ddesign.blogspot.com/search/label/Relief%20Sculpture%20Student%20Work Brad Spencer "C.M. Eppes Memorial-The Gateway Figures" http://www.bradspencersculptor.com/ Gabriel Schama  Phoenix of The Silver Sun https://www.gabrielschama.com/silver-sun